Confessions of a Small Press Racketeer is equal parts literary memoir, advice for the emerging writer, and reckless tirade. Ross has been active in the Canadian literary underground for a quarter of a century: he’s sold thousands of his books in the streets, published and edited magazines, trained insurgents in his Poetry Boot Camps, and started Canada’s first Small Press Book Fair.

Set in Surrey, BC circa 1960, A Credit to Your Race is a story about innocent love awakening between a fifteen-year-old black porter’s son and the white girl next door. The novel is a disturbing and convincing portrayal of how the full weight of racism and bigotry came to bear on a youthful, interracial couple.

This is not the Alberta world of oil and hockey and wheat, but of people at night, living alternate lives, wearing clothes that usually remain hidden in the depths of closets. When they emerge from these closets wearing these clothes, these shopkeepers, lawyers, and students do things to themselves and each other that it would take Freud to explicate. Everywhere in the valley lies the fear of loneliness, the obsession with desire, and the human fixation with the unknown.

Rooted in the back alleys, squats and psychiatric wards of contemporary Vancouver and Montreal, these unyielding poems enter the intersecting tensions and intensities in characters such as Mike, a panhandler on Vancouver’s Commercial Drive, Matthew, a runaway punk, and Dara, a single mother.

From the author of 19 Knives and My White Planet comes a brilliant suite of stories built around music and travel. The five stories that comprise Czech Techno are replete with the sizzle and jump we have come to expect from a Mark Jarman story. And matters of the heart are never far away, weaving through these tales like a knife blade through sand.

DAMP: Contemporary Vancouver Media Arts, is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent—a rare and desirable art-infused statement of the city’s media art scene—now.

Heavily inspired by cante jondo (Spanish “deep song”) and Portuguese fado, these poems explore the kind of yearning that is contained in the Portuguese word saudad: a longing for something in the past that can never be found because time has shifted everything away from what it was.

Dead Man in the Orchestra Pit is a singularly Canadian novel featuring crime, culture, and sports. Written in the vein of John Kennedy Toole (Confederacy of Dunces) and JP Donleavy, Dead Man in the Orchestra Pit is set in Vancouver during an early 80s Grey Cup weekend.

Cyril is the only Canadian-born member of the Andrachuk family, his parents and older brother having survived Stalin’s systematic starving of the Ukraine. His brother’s brittle bones are not the only legacy of Stalin. Cyril’s famine-free childhood has built up a distance between him and the rest of the household.

Art, love, and history furnish the setting in this tale. The Delusionist is a novel of longing, loss and rediscovered joy.