An autobiographical essay on fear, The Lily Pad and the Spider (Le nénuphar et l’araignée) explores the symptoms, sources, and genesis of anxiety, from the most intimate to the most ordinary kind. Using short chapters that are fragments of her life, Claire Legendre breaks down the psychological, physical, and social mechanisms associated with that emotion. Her style is lively, often funny, sometimes dark — though never complacent — and the story traces a unique path between France, Canada, and the Czech Republic, casting a defiant yet vulnerable gaze upon the world.

As Canada’s punk poet laureate, Art Bergmann has been tearing up stages, and terrifying the music industry, for half a century. Often referred to as “Canada’s Lou Reed,” Art’s story is one of rock and roll’s great tales untold. Until now. From his days helping to lay the foundation of the Vancouver punk scene with The K-Tels, to his acclaimed solo work in the ’80s and ’90s, and a late career resurgence that has culminated with being named to the Order of Canada, The Longest Suicide chronicles every unlikely twist and turn Art’s life has taken.

The Loop chronicles the life of an alcoholic who is unable to escape his past to explore the ways in which abuse can shape someone into their abuser and the ways trauma can transfer from one generation to the next. How much of who we are is who we are? How much of it is someone else? What if this has all happened before?

These poems ask the questions you’d really like answered, sauntering into the room and staking claim.

Using the numerical structure of pi, Mechanophilia is a collaborative epic by American poet Vi Khi Nao and Canadian poet Sarah Burgoyne (who have never met) that follows the omniscient conversations and complaints of ad hoc biblical characters as they attempt to make sense of themselves on an ordered, disordered planet.

Whether in longer poems or the briefest, Hav invites a reader to consider along with him the feeling of existence, its inevitable joy, sorrow, noise, silence, not in binary terms but as mixtures.

From the bestselling author of Drunk Mom and Possessed comes Monster, a mesmerizing, brave new work of autofiction. Monster is a shattering, feminist manifesto exploring sexual awakening, motherhood, immigrant trauma, and the power of female rage.

Mr. Ross unapologetically leaps from howls of grief and despair to zany incursions into surrealism and the absurd. He embraces this panoply of approaches to respond to our cantankerous existential dilemma. All that, and it’s structured after Bela Bartók’s String Quartet No. 4! Get a room and enjoy.

The poems in Mouthfuls of Space offer a dissociative journey through the life of a once homeless recovering drug addict and victim of childhood sexual, emotional, and physical abuse.