Mr. Ross unapologetically leaps from howls of grief and despair to zany incursions into surrealism and the absurd. He embraces this panoply of approaches to respond to our cantankerous existential dilemma. All that, and it’s structured after Bela Bartók’s String Quartet No. 4! Get a room and enjoy.

The poems in Mouthfuls of Space offer a dissociative journey through the life of a once homeless recovering drug addict and victim of childhood sexual, emotional, and physical abuse.

Howard White says, “Some poets try to capture rare butterflies in their writing. The things I go after are more like houseflies.” The comparison does him no favours but it is true inasmuch as his writing is notably unpretentious and concerned with common and everyday realities.

Naked in a Pyramid is an unconventional book by an original thinker, a former rabbi who owns ancient Torah scrolls, a yellow star from the concentration camps, and Pee-Wee Herman’s yellow bike. There is quite simply nobody like him. Yosef Wosk is a reclusive Lone Ranger who frequently helps others but remains a stranger. Here, for the first time, he has gathered a medley of observations to reveal his private world.

Infused with the spirit of Charles Bukowski, these down to earth poems take readers on a hard-scrabble journey, starting from Doyle’s early years as a runaway from foster homes, an incarcerated youth, a boxer, and a homeless wage-earner living in shelters and on the streets of Ottawa and Toronto.

On the Count of None is the first full-length poetry collection by Kingston poet Allison Chisholm. These are poems whose language looks both ways before licking the envelope.

Spanning a quarter century of Friesen’s work, the poems in Outlasting the Weather speak to what is meant by “a life lived in poetry.” The poems in this Selected are inseparable from the poet. To read them is to enter his thinking and ride his breath: to experience the art of making in as immediate a way as is humanly possible.

“I’m just going to break this, okay?” writes Nova Scotia poet Alice Burdick in her sixth full-length poetry collection. The 14 long poems in Ox Lost, Snow Deep range from confessional narrative to collage to surrealism, exploring representations of history, both public and personal, and within that, they probe what is considered important and what is considered not important.

Permission to Settle fills in the blanks of the application for Permanent Residency with a series of memoir-based poems, capturing common aspects of immigration — the anxiety, and the bureaucracy of application, identity, foreignness, and inadequacy — all while exploring the sense of privilege that comes from the geographically and culturally close immigration journey from the US to Canada as a modern-day settler.